{"id":39289,"date":"2021-06-28T06:30:00","date_gmt":"2021-06-27T18:30:00","guid":{"rendered":"http:\/\/helenlowe.info\/blog\/?p=39289"},"modified":"2021-06-28T00:18:43","modified_gmt":"2021-06-27T12:18:43","slug":"what-im-reading-amazons-ii-anthology","status":"publish","type":"post","link":"https:\/\/helenlowe.info\/blog\/2021\/06\/28\/what-im-reading-amazons-ii-anthology\/","title":{"rendered":"What I\u2019m Reading: \u201cAmazons II\u201d Anthology"},"content":{"rendered":"<p><em>As long ago as last year and as far away as \u2026well\u2026just around the curve of space-time,<\/em> I posted <strong><a href=\"https:\/\/helenlowe.info\/blog\/2020\/09\/14\/having-fun-with-epic-fantasy-13-the-lovable-rogue\/\" target=\"_blank\" rel=\"noopener noreferrer\">Having Fun With Epic Fantasy #13: We All Love To Love The Lovable Rogue<\/a>. <\/strong>In the comments, Andrew mentioned a 1980s anthology, <strong><em>Amazons II<\/em><\/strong>, that contained a story titled <em>The Robber Girl <\/em>(by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Phyllis_Ann_Karr\" target=\"_blank\" rel=\"noopener noreferrer\">Phyllis Ann Karr<\/a>), whose protagonist\u00a0 fitted the \u201clovable rogue\u201d bill.<\/p>\n<p><em>Amazons II<\/em>, edited by <a href=\"https:\/\/www.encyclopedia.com\/arts\/news-wires-white-papers-and-books\/salmonson-jessica-amanda\" target=\"_blank\" rel=\"noopener noreferrer\">Jessica Amanda Salmonson<\/a>, was published by DAW in 1982. It followed on from <strong><em>Amazons <\/em><\/strong>(1979), <em>\u201can anthology of original stories by fine writers about women warriors\u00a0 that was so good it won the World Fantasy Award as the best collection of the year.\u201d\u00a0<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-39180\" src=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2021\/05\/Amazons-181x300.jpg\" alt=\"\" width=\"181\" height=\"300\" srcset=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2021\/05\/Amazons-181x300.jpg 181w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2021\/05\/Amazons-90x150.jpg 90w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2021\/05\/Amazons.jpg 281w\" sizes=\"auto, (max-width: 181px) 100vw, 181px\" \/><\/p>\n<p>Amazons II is also a collection of twelve original stories, all of which feature women heroines, and written by authors that include still-familiar names such as <a href=\"https:\/\/www.theguardian.com\/books\/2015\/jun\/01\/tanith-lee\" target=\"_blank\" rel=\"noopener noreferrer\">Tanith Lee<\/a>, <a href=\"https:\/\/www.fantasticfiction.com\/b\/gael-baudino\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gael Baudino<\/a>, and<a href=\"https:\/\/georgerrmartin.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"> George RR Martin<\/a>, .<\/p>\n<p>Although the heroines number warriors, including actual Amazons in <a href=\"http:\/\/www.lillianstewartcarl.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lillian Stewart Carl<\/a>\u2019s <em>The Borders of Sabazel<\/em>, the second collection also includes the robber girl, as well as a ropemaker, in <a href=\"https:\/\/eleanorarnason.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Eleanor Arnason\u2019<\/a>s <em>The Ivory Comb<\/em>, a gypsy, Tindira, in <strong>Gordon Derevanchuk\u2019s<\/strong> <em>Zroya\u2019s Trizub<\/em>, a priestess, Yassim, in <a href=\"https:\/\/www.fantasticfiction.com\/c\/jo-clayton\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jo Clayton\u2019s<\/a> <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jo_Clayton\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Nightwork<\/em><\/a>, and a witch, Alys, in George RR Martin\u2019s <em>In The Lost Lands<\/em>.<\/p>\n<p>Perhaps not surprisingly for a collection published in the early 1980s&#8212;following the 1970s groundswell of feminism and during the UN&#8217;s 1975-1985 <a href=\"https:\/\/www.britannica.com\/topic\/United-Nations-Decade-for-Women\" target=\"_blank\" rel=\"noopener noreferrer\">Decade for Women<\/a>&#8212;a central theme includes the assertion of women\u2019s independence and strength within the context of patriarchal norms. The stories are by no means all of a kind, however, displaying a range of contexts from the prophecy and battle of <em>The Borders of Sabazel<\/em>, through the quest-journey of <a href=\"https:\/\/en.wikipedia.org\/wiki\/F._M._Busby\" target=\"_blank\" rel=\"noopener noreferrer\">FM Busby\u2019s<\/a> <em>For A Daughter<\/em>, the rescue of <em>Nightwork<\/em>, mystery and sorcery of Tanith Lee\u2019s <em>Southern Lights<\/em>, and humour of Gael Baudino\u2019s <em>The Lady of Forest End.<\/em><\/p>\n<p>Diversity is sometimes discussed as if it were a purely contemporary concern in Fantasy literature, so I was interested that the stories encompassed not only women of diverse abilities, character, and situations, but also a reasonable degree of worldbuilding variation. <em>Nightwork<\/em> and <em>The Ivory Comb <\/em>are the two stories that have stayed with me in the latter respect, while <em>The Robber Girl <\/em>is possibly the most \u201cfantastic\u201d in a folklore\/fairytale style of storytelling.<\/p>\n<p>I also learned that the editor, Jessica Amanda Salmonson, apparently transitioned as a transgender woman in the mid 1970s (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Jessica_Amanda_Salmonson\" target=\"_blank\" rel=\"noopener noreferrer\">see Wikipedia.<\/a>)<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-39295\" src=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2021\/06\/AmazonsII-174x300.jpg\" alt=\"\" width=\"174\" height=\"300\" srcset=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2021\/06\/AmazonsII-174x300.jpg 174w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2021\/06\/AmazonsII-87x150.jpg 87w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2021\/06\/AmazonsII.jpg 200w\" sizes=\"auto, (max-width: 174px) 100vw, 174px\" \/><\/p>\n<p>What I also noted, however, in terms of diversity and inclusion, was that the author list does not appear to include writers and voices from outside the UK and North America, or any non-white authors from within those countries. I believe this is less likely to be the case in 2021, nearly forty years later.<\/p>\n<p>The cover art is also &#8220;classic&#8221; for the era, chiefly for the highly improbable levels of nudity, in combination with what little armor there is being both highly impractical and improbable, at best. All those vital organs left exposed; ah, well&#8230; Not to mention that it doesna reflect the quality of the fiction within, so the cover would probably have ensured I never read them, if not for last year&#8217;s comment. Now, having gotten past the cover, I am glad I did.<\/p>\n<p>Many collections will have a story that sticks with you more than any other. For me, in <strong><em>Amazons II<\/em><\/strong>, that story is <em>In The Lost Lands <\/em>by George RR Martin. Readers of the <strong>A Song Of Ice and Fire<\/strong> (<em>A Game Of Thrones<\/em>) series, will not be surprised to learn that I found the characters compelling and the story powerful and brutal, brilliant and cruel. It\u2019s a story that made quite an impact on first reading, and that I believe I\u2019m unlikely to forget.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As long ago as last year and as far away as \u2026well\u2026just around the curve of space-time, I posted Having Fun With Epic Fantasy #13: We All Love To Love The Lovable Rogue. In the comments, Andrew mentioned a 1980s anthology, Amazons II, that contained a story titled The Robber Girl (by Phyllis Ann Karr), [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,14,24],"tags":[],"class_list":["post-39289","post","type-post","status-publish","format-standard","hentry","category-epicfantasy","category-other-writers","category-what-im-reading"],"_links":{"self":[{"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/posts\/39289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/comments?post=39289"}],"version-history":[{"count":14,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/posts\/39289\/revisions"}],"predecessor-version":[{"id":39304,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/posts\/39289\/revisions\/39304"}],"wp:attachment":[{"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/media?parent=39289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/categories?post=39289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/tags?post=39289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}