{"id":41604,"date":"2023-11-06T06:30:07","date_gmt":"2023-11-05T17:30:07","guid":{"rendered":"http:\/\/helenlowe.info\/blog\/?p=41604"},"modified":"2023-11-05T18:00:54","modified_gmt":"2023-11-05T05:00:54","slug":"what-im-reading-the-axemans-carnival-by-catherine-chidgey","status":"publish","type":"post","link":"https:\/\/helenlowe.info\/blog\/2023\/11\/06\/what-im-reading-the-axemans-carnival-by-catherine-chidgey\/","title":{"rendered":"What I&#8217;m Reading: &#8220;The Axeman&#8217;s Carnival&#8221; by Catherine Chidgey"},"content":{"rendered":"<p>On October 5, as part of a <a href=\"https:\/\/helenlowe.info\/blog\/2023\/10\/05\/just-arrived-the-axemans-carnival-by-catherine-chidgey\/\" target=\"_blank\" rel=\"noopener noreferrer\">Just Arrived post<\/a> for Catherine Chidgey&#8217;s <strong><em>The Axeman&#8217;s Carnival<\/em><\/strong>, I mentioned that this book is both a popular and critically acclaimed work, and won this year&#8217;s <a href=\"https:\/\/www.nzherald.co.nz\/waikato-news\/news\/ockham-nz-book-awards-2023-waikato-author-wins-fiction-prize-for-a-second-time\/SLLPG4YLMFFBVGZWGRQANT5UQ4\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ockham NZ Book Award&#8212;aka the Jann Medlicott Acorn Prize&#8211;for Fiction<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-41509\" src=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/10\/The_Axemans_Carnival_Cover-673x1024.jpg\" alt=\"\" width=\"332\" height=\"505\" srcset=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/10\/The_Axemans_Carnival_Cover-673x1024.jpg 673w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/10\/The_Axemans_Carnival_Cover-99x150.jpg 99w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/10\/The_Axemans_Carnival_Cover-197x300.jpg 197w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/10\/The_Axemans_Carnival_Cover-768x1168.jpg 768w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/10\/The_Axemans_Carnival_Cover.jpg 789w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><\/p>\n<p>By implication, I am clearly late to the reading party! Nonetheless, herewith m&#8217;terribly important thoughts on <em>The Axeman&#8217;s Carnival. \ud83d\ude00<\/em><\/p>\n<p>Short version: I liked it a lot.<\/p>\n<p>The reasons why are numerous, but I&#8217;m going to start with what it&#8217;s all about. The synopsis makes no secret of the fact that <em>The Axeman&#8217;s Carnival<\/em> is about a violent marriage, as seen through the eyes, and related via the narrative voice, of Tama, a magpie chick rescued and raised by the wife, Marnie. So the interest of the story is not in finding out &#8216;what it&#8217;s all about.&#8217;<\/p>\n<p>And although the violent marriage is core, the story is about a lot more than that. It&#8217;s about magpies and woodchopping as a NZ competitive sport; it&#8217;s about rural communities and the changing nature of farming, a storyline that weaves threads as diverse as the Clyde High Dam project, and water rights stemming from the goldmining era, into its Central Otago setting.<\/p>\n<p><em>The Axeman&#8217;s Carnival<\/em> is also a tale of family dynamics, and last but not least of the potential and power of the internet &#8212; but also its limitations, particularly the ability to transform either enthusiasm or outrage into action in the real world.<\/p>\n<p>Clearly, you may be thinking, it&#8217;s a big read. I believe that&#8217;s true in terms of the scope of the story, but not the size of the book (346 pages.) I consider it a tribute to the author&#8217;s skill that so many threads are seamlessly woven together. I really enjoyed the characterization as well, starting with Tama. Needless to say, being a magpie, he is not a reliable narrator. He is unquestionably engaging, though, and has captured readers&#8217; hearts &#8212; as he does those of internet viewers in the story.<\/p>\n<p>Marnie, her husband Rob, and Marnie&#8217;s family (mother, sister, brother-in-law) are equally well-drawn. I feel it&#8217;s a (further) tribute to Catherine Chidgey&#8217;s skill that even Rob, the violent husband, is portrayed in a nuanced way, with illumination of both his nature and family background. I also liked that this is a recognizably NZ story, and the overall ethos felt authentic in terms of my personal experience of growing up in a rural NZ community.<\/p>\n<p>I really enjoyed the rhythm of Ms Chidgey&#8217;s prose, too, and her clever use of repetition, particularly phrases such as Tama&#8217;s, <em>&#8220;I did not trust him and I was right not to trust him.&#8221;<\/em><\/p>\n<p>One of the challenges in telling a story with a magpie as narrator, is that Tama&#8217;s point-of-view and understanding of events around him is more partial than usual, and necessarily limited. The attendant challenge for the author lies in keeping the reader&#8217;s disbelief suspended. My one &#8220;glitch&#8221; moment in reading the book was when Tama not only relates, but also interprets, a social media maven&#8217;s explanation of internet marketing. At this point, my disbelief was definitely suspended, i.e. I felt it was beyond even the most intelligent magpie&#8217;s comprehension.<\/p>\n<p>Although I did lay the book aside at that point, I soon picked it up again and rolled with the rest of the story to the end. Overall, I enjoyed the book very much and do recommend it, especially for readers who have enjoyed works as diverse as <em>Watership Down<\/em>, Fiona Kidman&#8217;s <em>The <\/em><em>Book Of Secrets, <\/em>Kate Atkinson&#8217;s<em> Behind The Scenes At The Museum<\/em>, and <em>The Slap<\/em> by Christos Tsiolkas.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-28168\" src=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2015\/02\/Watership-Down-1973-89x150.jpg\" alt=\"\" width=\"89\" height=\"150\" srcset=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2015\/02\/Watership-Down-1973-89x150.jpg 89w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2015\/02\/Watership-Down-1973-179x300.jpg 179w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2015\/02\/Watership-Down-1973.jpg 182w\" sizes=\"auto, (max-width: 89px) 100vw, 89px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-41627\" src=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/Book-of-Secrets-2-96x150.jpg\" alt=\"\" width=\"96\" height=\"150\" srcset=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/Book-of-Secrets-2-96x150.jpg 96w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/Book-of-Secrets-2.jpg 150w\" sizes=\"auto, (max-width: 96px) 100vw, 96px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-41628\" src=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/Behind-the-Scenes-at-the-Museum_Atkinson-97x150.jpg\" alt=\"\" width=\"97\" height=\"150\" srcset=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/Behind-the-Scenes-at-the-Museum_Atkinson-97x150.jpg 97w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/Behind-the-Scenes-at-the-Museum_Atkinson.jpg 150w\" sizes=\"auto, (max-width: 97px) 100vw, 97px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-41629\" src=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/The-Slap_Tsiolkas-96x150.jpg\" alt=\"\" width=\"96\" height=\"150\" srcset=\"https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/The-Slap_Tsiolkas-96x150.jpg 96w, https:\/\/helenlowe.info\/blog\/wp-content\/uploads\/2023\/11\/The-Slap_Tsiolkas.jpg 191w\" sizes=\"auto, (max-width: 96px) 100vw, 96px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>By way of the ever-important disclosure, I read a paperback edition (346 pages), published by Te Herenga Waka Press: Victoria University of Wellington, in 2022, which I purchased m&#8217;ownself. \ud83d\ude00<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On October 5, as part of a Just Arrived post for Catherine Chidgey&#8217;s The Axeman&#8217;s Carnival, I mentioned that this book is both a popular and critically acclaimed work, and won this year&#8217;s Ockham NZ Book Award&#8212;aka the Jann Medlicott Acorn Prize&#8211;for Fiction. By implication, I am clearly late to the reading party! Nonetheless, herewith [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,46,24],"tags":[],"class_list":["post-41604","post","type-post","status-publish","format-standard","hentry","category-other-writers","category-recommended-reading","category-what-im-reading"],"_links":{"self":[{"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/posts\/41604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/comments?post=41604"}],"version-history":[{"count":11,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/posts\/41604\/revisions"}],"predecessor-version":[{"id":41638,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/posts\/41604\/revisions\/41638"}],"wp:attachment":[{"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/media?parent=41604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/categories?post=41604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/helenlowe.info\/blog\/wp-json\/wp\/v2\/tags?post=41604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}