Speculative Fiction: Reader Preferences
Recently I had a conversation with two friends, a couple, who are keen SFF readers, amongst other genres—but we were particularly talking about SFF/speculative fiction and what, for each of them, is most important about a story when deciding what is/isn’t a great read.
For the man, it was definitely the world. In fact, he felt world creation was the main reason he keeps coming back to the genre. Without that aspect, he argued, if the read were just about plot and character, then you could go to any genre: world building, to him, is what makes SFF distinctive. When he opens the book he wants to be taken somewhere ‘other’, but also ‘real’, ie the world must convince. And once he has “accepted” a world, then he will always want more stories set within it.
The woman, however, was adamant that it is the characters that are most important. If she isn’t interested in and convinced by the characters then she doesn’t care how fascinating or original the world, or how exciting the plot, she probably isn’t going to “rate” that book. She also felt that inconsistent details around either plot or character will always spoil an otherwise good book for her.
But we all agreed that the closer the overlap between having an excellent world, intriguing characters and a convincing plot, the more likely we all were to “rate” that book highly.
So how about you? What element drives the reading experience for you? Is it the ‘world’ (which might be setting/atmosphere with non SFF), the characters or the plot? Or something else again?
I will admit to reading books with pretty poor character development – as long as the world building is good. A lot of early Science Fiction Falls into that category for me – I don’t really relate to many of the characters (but there are plenty of exceptions!).
That said I mainly stick with these out of “investigative persistence”.
I enjoy books with great characters more.
For me, it’s characters first in everything but Science Fiction, including Fantasy. In SciFi, assuming the world is more otherworldly, I need to understand that in order to enjoy it. In everything else, I want to feel along with the characters.
Well, there it is, the inevitable dichotomy – world vs character. Both is best but I find they can trade off each other – if a world is brilliant and the characters a bit hollow then it is still a good read – and vice versa – but the very best SF and F is like the Forever War or Lord of the Rings or to a lesser extent Verdigris Deep – the author has something to say that is just so profound it needs to be couched in the fantastical. 🙂