“The Heir Of Night” map: artist, Peter Fitzpatrick

The A Geography of Haarth post series is designed to traverse the full range of gazetted locales and places from The Wall Of Night world of Haarth.

From January 25, 2013 to November 25, 2014, the series explored locations encountered in The Heir Of Night and The Gathering Of The Lost.

Now the series has resumed to traverse the geography of Daughter Of Blood (The Wall Of Night Book Three.)  The new series comprises updates of previous entries as well as new listings.

Today’s entry is a new listing, i.e. Daughter of Blood specific. 😉

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Ship’s Prow House: a private residence in the Southern Realms’ town of Grayharbor

The ship’s figurehead that gave their destination its name was set over the door of the largest house in the square. It always made Faro shiver, because rather than being the depiction of a heroine or hero out of story, it was a fierce-eyed mer-horse with a long horn spiraling from its forehead and ears pressed flat to its skull so it looked at least half serpent. The colors of the savage head and horn, and the scaled body, must have been brilliant once—gilt and scarlet and deeps-of-the-sea green—but now had grown faded as the flaking paint on all the house’s woodwork. The door was banded in iron, and despite the heavy hand on his shoulder Faro still took in that both the hinges and lock looked new.

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The hasps on the shutters, too, he noted, squinting up—and saw that some wag, a ’prentice lad most likely, had left a worn chisel blade stuck into the figurehead’s spiraled horn.

~ from © Daughter Of Blood: The Wall of Night Book Three, Chapter 2 — The Serpent Prince

Recently on Good Reads (GR) I was asked a question about worldbuilding. I’m not terribly active on GR because there’s only so much social media a gal can do in a meaningful way and still write books and deal with realtime life, so questions are a relatively rare event. 😉

In this case, Zainab’s question was about worldbuilding and I thought required a little more thought than just a dashed off reply. I also thought others might find it interesting, so decided to share m’terribly important thoughts as a blog post. 🙂

Zainab was nice enough to say some complimentary things about my worldbuilding in the WALL series [twinkles] but I’ll focus on the key question:

“Can you give any tips on how to construct a…how do I put it…believable world? I’m finding it a bit trying…”

From one perspective this is a hard ask, because my worldbuilding is more intuitive than cerebral. By which I mean that I perceive the world really vividly and that’s what I write and develop in concert with the action of the story, rather than sitting down in advance and nutting out the detail of the world.

However, I still think there are some key elements incorporated into this approach that I can identify and which may help other worldbuilders, even those who prefer a more cerebral approach.

May include maps… (Design by Peter Fitzpatrick)

Experimentation:

Just as we’re all different in other ways, so too with worldbuilding: there isna going to be a “one size fits all” approach. If in doubt, though, try experimenting – approaching the worldbuilding in several different ways, e.g.:

• Think about the most compelling aspect of your world and write an opening scene that explores that and see how your thinking and the story evolves from there;
• Storyboard your world, i.e. sit down and map out how the world works in advance, using not only maps of terrain but also images of how it looks re landscape, architecture, people, their clothes etc
• Have some key headings such as: planet; continents; countries; geography; landscapes; vegetation; creatures; people; societies; culture; religion; technology; water, food, and other key resources. (And so on.) But even if you don’t feature all or any of them exhaustively in your story, you as author have to have an idea how they fit together – or even to consciously decide they don’t matter to your particular story at all so you can dispense with worldbuilding altogether.
• Daydream it: think about your world even when you’re not actually working on it. Allow it to colonize your mind and ‘doodle’ your ideas even when you don’t have time to write or world-build in earnest. (Keeping a notebook of some kind is really helpful for this.)

Approaches

In terms of the elements you’re exploring, though, and what you’re trying to achieve with your worldbuilding, here are a few more things to consider / play around with:

The Big Idea

I think it really helps to have a “big idea” that informs your world and therefore your worldbuilding. In The Wall Of Night series the original big idea was “darkness” – the idea of a “night world” in which the central protagonist/antagonist peoples are locked in age-old conflict. It was very influenced by my first reading of Norse myths (i.e. Diegotterdamerung: the twilight of the Gods) and also by books such as Alan Garner’s more Celtic influenced Elidor and – a little later – by Tolkien’s Beleriand in the backstory to The Lord of the Rings. (In its turn very influenced by Norse myth again, so there’s a certain circularity…)

As I grew up and my original world idea developed, I realized that a dark world, while atmospheric, made for challenging worldbuilding and difficult storytelling, so I revised the “darkness” back to more of a twilit world, with an accompanying stark and bleak landscape, that became the Wall of Night. I also originally thought the wall would be an actual constructed wall (like the Nightwatch’s Wall of Ice in A Game of Thrones) but the more I thought about it the more the “mountain range as shield-wall” idea took hold.

At which point I started writing, with the idea of the Wall shaping the Derai as they are first encountered, although as quickly becomes clear the Derai originally shaped the Wall, so “which came first” in terms of influence is by no means clearcut.

Other “Big Ideas” I (believe I) perceive in Fantasy worldbuilding, which pervade the stories, include:

• “Winter is Coming” – in George RR Martin’s A Song Of Ice and Fire series (aka A Game Of Thrones)
• “The Everstorm” – in Brandon Sanderson’s Stormlight Archive series
• “Land heirdom” – in Patricia McKillip’s The Riddlemaster of Hed series
• The four elements of fire, earth, air, and water – in Midori Snyder’s Orans’ Cradle series
• The language of music – in Anna Smaill’s The Chimes

Choose A “Spine” for Your Worldbuilding

If you think of a world as being similar to a human body, the spine is the central column, or core idea, that connects everything else.

Some of the key elements that are drawn upon for speculative fiction worldbuilding include:

• History: especially taking a particular period such as renaissance Italy in Guy Gavriel Kay’s Tigana; the Carolingian era of European medieval history in Kate Elliot’s Crown of Stars series; medieval Korea in Raymond E Feist and Janny Wurts Empire trilogy; and colonial North America in Orson Scott Card’s Alvin Maker series.
• 

  Outstandingly influential worldbuilding

  Science: such as the strong emphasis on biology in Julie Czerneda’s worlds and again with Sanderson’s Everstorm and everything that flows from that; or music, its language and structure, in Anna Smaill’s The Chimes.

• Geography/Nature: outstanding examples include JRR Tolkien’s Middle Earth where a strong vision of nature and its forms shapes the characters’—and the readers’—experience of the world; also Ursula K Le Guin’s Earthsea and the archipelago, and Mary Victoria’s world tree in Tymon’s Flight (Chronicles of the Tree series.)

Live It, Breathe It, Experience Your World: Make It Sensory

In order for the world to be real for readers, it must first be real in your mind so that the characters can experience their surroundings in a real way.

One really important way of doing that is to remember that the characters must experience through their five senses, i.e. the reader must also know what the characters are seeing; hearing; smelling; touching; and – where appropriate – tasting.

Yet it is not enough to simply experience, the characters must also respond emotionally to what they experience. For example, in any given situation, does the character feel fear or horror, foreboding or doubt; happiness or confidence? Do they respond to stimuli with joy and delight, or disgust and loathing?

The reality of the worldbuilding will help you, as author, to know how your characters respond. It will also help your readers not only understand what’s going on for your characters, but to understand environment and world through their senses and perceptions, i.e. the world becomes real for all involved.

And that’s it: I don’t think there’s a great deal more I can say in terms of a few quick tips but I hope something in here will help. 🙂

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© Helen Lowe, On Worldbuilding.

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The About The Characters post series focuses on the minor characters in The Wall Of Night series, in large part because:

“I think it’s the presence of the smaller characters that “makes” a story, creating texture around the main points of view.”

~ from my Legend Award Finalist's Interview, 2013

Initially, the series focused exclusively on characters from The Heir of Night, but now I’m continuing on with minor characters from both The Gathering Of The Lost and Daughter of Blood simultaneously — in alphabetical order, of course!

(The quotes, together with the covers, indicate the books in which the character appears.)

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Gille:  Emerian knight in training, squire to Ser Rannart on the Northern March

The whispers, which had started to die down after the first few days, built again when reports of bolder raids by outlaw bands, this time accompanied by demons that were half man, half beast, began to filter in from outlying settlements. Lord Falk doubled the Normarch patrols in an effort to counteract the growing fear with bright steel and a show of strength, but the disquiet persisted.

“Werewolves, evil spirits, and blood-drinking ghouls,” Raher said with relish, one evening in the inn kitchen.

Arn snorted. “Everyone in the inner wards says that even the Oakward is just superstition, a hangover from the bitter years that followed the Cataclysm.”

Girvase raised one eyebrow, while Gille and Ado, two of Ser Rannart’s squires who had returned to Normarch for their vigil, exchanged a glance. “I’ve always liked the stories,” Gille said finally. “The secret circle that pushed back evil.”

~  from © The Gathering Of The Lost, The Wall of Night Book Two: Chapter 16 — Summer’s Eve

What I’m reading right now, and yes, really enjoying! (thought I’d get that out there right away 😉 ) is Julie Czerneda’s Search Image, the first in her new science fiction series, the Web Shifter’s Library.

It’s not the first Web series, though, but the second, bringing back the central characters from the Web Shifters series, chiefly Esen-alit-Quar and Paul Ragem/Cameron.

Canadian author, Julie Czerneda, has written nearly twenty novels now, most of them science fiction, so I’m not going to hide my head when I admit that I haven’t yet read the original Web Shifters series.  I’m almost certainly going to, though, since (as above) I am enjoying Search Image. I’m about half way through and so far, it’s a fun, adventurous story with plenty of Julie’s trademark worldbuilding and biologist’s take on fascinating species.

It’s also a book I can enjoy in its own right, without having read the preceding series: in part because it’s a new story but also because the backstory for the established characters is woven in as necessary for understanding (and without infodumping.)

Julie & me, NatCon 2009

If you like your science fiction with plenty of alien species and also space travel, humorous storytelling and engaging characters, then I suspect you’ll enjoy Search Image as much as I’m doing right now.

In terms of other aspects of the book that may be of interest, Julie used the names of friends and fellow travellers from the NZ speculative fiction community—met while here in 2009—as the source of character and place names. My friend Joff is there, masquerading as “Joffre sorbet”, while there’s also a continent called Lowesland… #JustSayin’ 😉

I am reading the hard copy version of Search Image, published by DAW in 2018. The book was made available to me by a friend, the Joffre of the Joffre sorbet. 😉

The Wall of Night Series map; design by Peter Fitzpatrick

The A Geography of Haarth post series is designed to traverse the full range of gazetted locales and places from The Wall Of Night world of Haarth.

From January 25, 2013 to November 25, 2014, the series explored locations encountered in The Heir Of Night and The Gathering Of The Lost.

Now the series has resumed to traverse the geography of Daughter Of Blood (The Wall Of Night Book Three.)  The new series comprises updates of previous entries as well as new listings.

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Sea Keep:  chief stronghold of the Derai Alliance’s Sea House
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Even so, there were stories… Kalan had heard that there were weather workers in the Sea Keep who paced its walls in savage weather, their physical forms fraying into the elements.  Behavior like that drew attention, but it might be possible for those with lesser powers to survive undetected, even amongst other Derai.

~ from © The Heir Of Night, The Wall of Night Book One: Chapter 3 — Whispers in the Dark
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He paused, glancing toward the upstairs voices. “If I leave tonight I should catch up with the heralds. I can ride with them to Port Farewell and take ship for Grayharbor, then find another there to reach the Sea Keep. But I need to say good-bye to the others first, and see Jarn.” He took the gauntlets from his belt, but did not put them on. “I will meet you back here afterward and we can settle any other plans before I leave.” 

~ from © The Gathering Of The Lost, The Wall of Night Book Two: Chapter 51 — Reports From The Wall
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“There is a memorial with twelve sides in the Sea Keep, lying between the shrines to Terennin, the Farseer, and Ornorith of the Two Faces.” Che’Ryl-g-Raham’s eyes flicked back to Kalan’s, as if sensing that he had encountered a space enclosed by twelve walls before. “The sides are paneled in alternating black and silver, each one depicting a distinctive pattern of stars, none of which belong to this world.” Again she paused, as if inviting his comment. “I was taught,” she continued, when he remained silent, “that they chart every star system we’ve traversed in our war with the Swarm, until we came through the Great Gate. They may even extend all the way back to the beginnings of the Derai. I had the engraving made,” she finished softly, “to remind me of that possibility.”

From the stars we came—and she was a navigator, so more than anyone else in the Derai would be mindful of that tradition.

~ from © Daughter Of Blood: The Wall of Night Book Three, Chapter 11 — Storm Spear

Last week I was ruminating on potential themes for this year’s first-of-the-month posts on the Supernatural Underground.

February 1st rolled around on Friday and guess what, I came up with a theme for 2019 — and it’s going to be the Year of Romance in Fantasy Fiction.

And yes, there even be hashtags: #YOR (Year of Romance) and #RIFF — Romance in Fantasy Fiction.

Romance – Romeo & Juliet style

For more details, check out the post here:

A Theme For 2019: A Year Of Romance In Fantasy Fiction

Overall, though, I just aim to have a little fun and share a few thoughts on Books-Wot-I’ve-Read and the part romance may or may not play in them, purely for enjoyment’s sake. If this appeals, I hope I’ll see you over there. 🙂

And if you’re wondering whether a reason my thoughts may have inclined this way is because I’m thinking about romance in the Wall Of Night series, too—well, wonder on… 😉

It’s been two months since my last “About The Characters” and (alternating every other Thursday) “A Geography Of Haarth” posts. But fear not, dear friends, followers, and gentil readers—or alternatively, be very afraid 😉 —because the normal post schedule resumes today.

If an excuse is needed for the two month hiatus, let it be that it has been the summer holidays here. Plus I have had tax stuff to do, which is no holiday at all, je vous assure.

Yet now, with no further ado, let us return to About The Characters, which focuses on the minor characters in The Wall Of Night series, because:

“I think it’s the presence of the smaller characters that “makes” a story, creating texture around the main points of view.”

~ from my Legend Award Finalist's Interview, 2013

Initially, the series focused exclusively on characters from The Heir of Night, but now I’m continuing on with minor characters from both The Gathering Of The Lost and Daughter of Blood simultaneously — in alphabetical order, of course!

(The quotes, together with the covers, indicate the books in which the character appears.)

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UK/AU/NZ

Ghiselaine: Countess of Ormond, in the southern realm of Emer

“The young women rode as lightly as the squires, most with long braids trailing from beneath caps of leather or steel. Only the central rider was bare headed, sitting straight and slender in the saddle while the bell of her red-gold hair lifted in the breeze.

“Ghiselaine, Countess of Ormond,” Raven murmured, although Carick had already guessed: she sat amongst the other riders like a queen among her knights.”

~  from © The Gathering Of The Lost, The Wall of Night Book Two: Chapter 13 — Normarch
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“As in Emer, the knight gave little away, but Kalan was remembering how they had fought shoulder-to-
shoulder at midsummer, to prevent a Darksworn coterie from assassinating Ghiselaine of Ormond.”

~ from © Daughter Of Blood: The Wall of Night Book Three, Chapter 58 — Passage of Power

Happy Monday, dear friends, followers, and gentil readers. 🙂

I do hope those of you who’ve been away on summer holidays are getting back into the swing of the year—and speaking of the swing of the year, I’ve been thinking about what I could do with my  Supernatural Underground spot this year.

The first of every month there is my regular slot, one I’ve been keeping going for (gulp!) nine years now in July—which is when I first posted with Making My Bow and Why I Love Fantasy. How—just to make a truly original observation 😉 —time does just fly by!

Post-wise, I’ve tended to round up my “usual suspects” with a focus on books, reading, speculative fiction, and things I like doing more generally, such as being “inside Middle Earth.”

However, as part of the new year (2019!) and year nine (also 2019 😉 ) I’ve been mulling over whether I could or should contemplate having a theme for this year. It would have to fit with the Supernatural Underground (SU) ethos of course, which began as “Books That Go Bump In The Night” and is now “Where Fiction Makes The Heart Beat Faster.”

So although it’s not a strict requirement, I guess if there is to be a theme for 2019, it should be something in the quadrant of writing fiction that *may* make readers hearts beat just a little faster. 🙂

Although I know it’s “my” slot so I can post on anything I like, it would help me out to know what those who visit me here would feel motivated to rock on over to the SU to read. Or to read more about here, if that ends being a better fit.

My only caveat is that any idea, however inspired I think it, that will require a lot of work to realise as a theme or post series, is not one I will be able to initiate until AtBiD (After the Book—Wall #4 that is — is Done.) But it’s still worthwhile (to me) to know that (as yet ‘mysterious something’) is a topic of interest.

And otherwise I shall box on in the usual fashion, rounding up all those usual suspects. 😀

A Nor’west Season

Waiting . . .

the nor’west arch a pale slash

along cloud-filled sky,  promises heat—

big bluster coming

beating in across the plains    lifting

roofs              tossing down

trees                              a dog howls

into the sun’s glazed eye

falls back into shadow

beneath a car body

propped on a rusted jack    waits

for the lull . . .

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© Helen Lowe

Published, Crest to Crest: Impressions of Canterbury Prose & Poetry, Ed. Karen Zelas, Wily Publications, 2009

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Although I have posted this poem here before (yes, it is one of mine), back in 2010 as it turns out, I am posting it again today because up until yesterday we’ve been having a blast of nor’west weather.

And a norwest winds means stinking hot—by NZ standards, that is. (I imagine anyone from India, Australia, or Africa will probably be sneering right about now. 😉 ) It’s not just heat, though: the norwester can be pretty destructive once it gets up a head of steam.

Yesterday was the culmination of the latest round of norwesters and what I call meltingly hot—until the southerly blew on through bringing some up-from-the-Antarctic, off-the-southern-ocean cool.

So today seemed a good time to honour the norwester, which is one of the defining characteristics of life in this part of NuZild (aka NZ.) I explain a bit more about that in the 2010 post: see the link above, or here.

The Wall of Hebe 😉

You seemed to enjoy last week’s Wall Of Hebe so I thought I’d give you another taste of summer in the form of yesterday’s writing spot.

I was keen to write, but it was such a great day, with lovely sunshine and enough of a breeze to be pleasant, but no “big bluster”, that I didn’t want to miss out on the outdoor goodness.

So I decided to have the best of both worlds and take my laptop outside to a wee nook in the garden that offered sunshine, shade, and a comfy Cape Cod chair. (They really are comfy, too, with those nice wide arms for the mouse!)

That summery writing nook…

In fact it worked so well that I plan on doing it again soon, if not later today or tomorrow. (The deities of weather must be consulted!)

And yes, I did get some words written. Not only that, I resolved a plot conundrum that has been bugging me since the end of last year and generally stymieing the muse. Nice to know that manuscripts as well as computers can be “debugged.”

So now it’s a case of Onwards, Onwards.

I hope to have an enjoyable and productive week ahead–and trust you all may do so, too.