Trees in Fantasy Fiction
Isn’t this picture marvelous? Or more correctly, aren’t the tree roots pictured in the photo marvelous? (I am more than prepared to admit that my photography is definitely at the ‘fun snap’ end of the spectrum.)
The roots belong to the Moreton Bay fig I featured yesterday, which resides in Auckland’s Cornwall Park. I have always loved the species’ snaking, twisty roots — and as a Fantasy reader as well as a writer, they always make me think Entish thoughts.
Ents, of course, are probably the most famous “trees”, or in their case, treelike beings, in Fantasy literature. They feature in the second and third books of The Lord of the Rings trilogy and played a major part in The Two Towers film, with the attack on, and destruction of Isengard:
“Pippin looked behind. The number of Ents had grown — or what was happening? Where the dim bare slopes that they had crossed should lie, he thought he saw groves of trees. But they were moving! Could it be that the trees of Fangorn were awake, and the forest was rising, marching over the hills to war? He rubbed his eyes wondering if sleep and shadow had deceived him; but the great grey shapes moved steadily onward.”
Sentient trees also feature in CS Lewis’s Narnia series and I’ve always loved the scene in Prince Caspian where Aslan reawakens the trees that have slept as a result of the Telmarine invasion.
“What Lucy and Susan saw was a dark something coming to them from almost every direction across the hills. It looked first like a black mist creeping on the ground, then like the stormy waves of a black sea rising higher and higher as it came on, and then, at last, like what it was — woods on the move. All the trees of the world appeared to be rushing towards Aslan.”
Sometimes, however, it is not a forest but a single tree that features — like the world tree in Mary Victoria’s Chronicles of the Tree series, which is first encountered in Tymon’s Flight:
“To starboard of the vessel…stretched a vast and furrowed mountain of bark, so wide that it’s curvature was almost invisible and so high that both its summit and its base were lost to view. The immensity of the wall was broken by a profusion of spoke-like limbs, the largest many miles in length. Several hundred feet above the dirigible the trunk culminated in the gently rising plateau of branches and twigs that made up the Central Canopy’s crown.”
Guy Gavriel Kay’s Summer Tree, from the book of the same name, may not be a world in size, but it is still intriguing, magical, and powerful:
“…and he came into the place wherein stood the Summer Tree. Very great it was, dark almost to black, its trunk knotted and gnarled, wide as a house. It stood alone in the clearing, in the place of sacrifice, and clutched the earth with roots old as the world, a challenge to the stars that shone down, and there was power in that place beyond the telling.”
Werewolves and other were-beasts have become very popular in recent years, but Fantasy contains at least one instance of tree-shifting: Danan Isig in Patricia McKillip’s The Riddlemaster of Hed, who teaches the skill to the protagonist, Morgon:
“Was I a tree? Sometimes I stand so long in the snow watching the trees wrapped in their private thoughts that I forget myself, become one of them. They are as old as I am, as old as Isig. . .”
When discussing trees in Fantasy I don’t think I could go past the weirwood that stands at the heart of Winterfell, in George RR Martin’s A Game Of Thrones:
“At the center of the grove an ancient weirwood brooded over a small pool where the waters were black and cold. “The heart tree,” Ned called it. The weirwood’s bark was white as bone, its leaves dark red, like a thousand bloodstained hands. A face had been carved in the trunk of the great tree, its features long and melancholy, the deep-cut eyes red with dried sap and strangely watchful.”
Trees feature in my own books as well, as I discussed in a recent post series:
Thornspell and the Enchanted Wood
The Influence of Trees on Landscape: The Heir Of Night
The Influence of Trees on Landscape: The Gathering of the Lost
The Influence of Trees on Landscape: Daughter Of Blood
The Influence of Trees on Landscape: The Wall Of Night series
But now, tell me, do — do you have any favourite trees from your Fantasy reading?
I do I do, but from a poem although I think it was included in Through the Looking-Glass (?). It is the Tumtum tree and the tulgey wood from Jabberwocky by Lewis Carroll. I always feel a bit sad for the poor old Jabberwock who seems to be minding its own business, but love the imagery and the language, and I would really like to see a Tumtum tree…
He took his vorpal sword in hand:
Long time the manxome foe he sought –
So rested he by the Tumtum tree,
And stood awhile in thought.
And as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came
One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.
And btw check out the character Mike Milligan (Bokeem Woodbine) reciting Jabberwocky from season 2 of the TV series Fargo – truly great.
I love the Jabberwocky, in fact, I think it’s absolutely brillig! 😉 So much so that I featured the whole poem here a few years back: http://helenlowe.info/blog/2010/08/10/tuesday-poem-jabberwocky-by-lewis-carroll/
I, too, would very much like to see a Tumtum tree — & I’ve always liked the way the vorpal blade went snicker-snack even if it was awfully bad luck for the Jabberwocky…
My husband is a big Ent fan, and we have a couple of “sentient tree” sculptures in our house. I also have a tree character in one of my books, Snail’s Pace. Here’s a picture on Pinterest:
https://s-media-cache-ak0.pinimg.com/originals/77/18/0c/77180c646467e9245d27ac84b330608a.jpg