
The Wall of Night Series map; design by Peter Fitzpatrick
A Geography of Haarth is a post series traversing the full range of gazetted locales and places from The Wall Of Night world of Haarth.
From January 25, 2013 to November 25, 2014, the series explored locations encountered in The Heir Of Night and The Gathering Of The Lost.
Now it’s back to traverse the geography of Daughter Of Blood (The Wall Of Night Book Three.) The new series comprises updates of previous entries as well as new listings.
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River: the lands along the Ijir river system, mainly comprising city states such as Ij, Terebanth, and Ar. Also known as the River lands.
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He, at least, seemed prepared for trouble, with the multiple braids of his hair clubbed into a knot and a pair of short, curved swords strapped to his back. Asantir’s brows had risen again when she saw them, for swallow-tail swords were a weapon of Ishnapur. “And Jhaine,” Tarathan had answered, when she said as much, “but they are popular now in the cities of the River.”
~ from © The Heir Of Night, The Wall of Night Book One: Chapter 10 — In The Old Keep
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“Spring came to the River in a flurry of blustering winds and driving rain that turned the local roads into quagmires and hurled the first fragile blossoms to the ground. Two heralds were blown out of the city of Terebanth with the weather and turned east toward Ij, following the great Main Road that had endured since the days of the Old Empire. At any other season a river passage would have been faster, but the combination of contrary winds and spring floods, fed by snowmelt in the headwaters of the Ijir and the Wildenrush, would keep the merchant galleys in port for at least another month.”
~ from © The Gathering Of The Lost, The Wall of Night Book Two: Chapter 1 — The Road To Ij
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…the heralds had taken him to the great harborside market in Port Farewell. The market was famous for its trade in armor and weapons sourced from every corner of Haarth, which Tarathan had assured him would include Derai equipment. Kalan had found the herald was right, although most of what he examined had been the generic armament the Derai Alliance traded with the River and Southern Realms of Haarth. But because more Derai had been traveling south in recent years, mainly to the River, but a handful into Emer and Lathayra as well, he was able to find a scabbard with the House of Blood’s hydra stamp and a cuirass in the distinctive deep-red steel particular to the warrior House.
~ from © Daughter Of Blood: The Wall of Night Book Three, Chapter 5 — Blood Warrior













In the 1 October post I mentioned that I had seen an interesting looking recipe for Orange and Poppy Seed Cake in a recent edition of NZ House & Garden (September 2018), so I felt honour bound to make it next.




I was also fascinated, when watching the V for Vendetta film, to see how the Gunpowder Plot was reshaped into a far more anarchic concept, one I suspect bears very little resemblance to the conspirators’ historical motivations. However, quite some years ago now an historian told me that history is always being retold to fit the times, so perhaps I should not be surprised if storytelling follows suit. 🙂

Genre: Fantasy/Urban Fantasy
The “mentor” or “wise guide” is a time-honored aspect of epic tales so it was unquestionably remiss of me to contemplate a post series on tropes that did not include it. 🙂
Other examples include the centaur, Charon, who raised Jason (of the Argonauts and Golden Fleece fame), and of course, Merlin, who guides the young Arthur. Later in the Arthurian cycle, the wise counselor role is sometimes assumed by Vivian, the Lady of the Lake, and the enchantress Nimue.
In fairytale and folklore, the mentor and wise counselor may also take the form of an animal companion, such as the horse Falada in The Goose Girl fairytale or the cat in Puss and Boots.
Although less powerful, Keyoke and Nacoya (Mara’s nurse turned First Counselor) in Janny Wurts and Raymond E Feist’s Daughter of the Empire also represent the tradition. Other famous examples include Belgarath the Sorcerer in the Belgariad, Moiraine in the early Wheel Of Time novels, and Count Brass in Michael Moorcock’s Chronicles of the Runestaff.
I can’t overlook Albus Dumbledore in the Harry Potter series, but I would also cite Luthe in Robin McKinley’s The Hero and the Crown, Deth in Patricia McKillip’s The Riddlemaster of Hed, and Aidris’s hidden grandmother in A Princess Of The Chameln.
Jasnar Kholin is clearly a mentor and preceptress to Shallan in Brandon Sanderson’s Stormlight Archive series. Yet Shoka, in CJ Cherryh’s The Paladin, may qualify in his role as swordmaster to Taizu, but his motivations are so murky otherwise that I feel he’s a suspect candidate overall.
Sometimes, too, the mentor may turn out to be undertaking that role for reasons that entirely benefit him or herself as opposed to the mentee. A classic example of this is Mr Wednesday in Neil Gaiman’s American Gods.
Merlin was far more human and less magical in Mary Stewart’s Arthurian series than in the legends, but he still fulfilled the traditional mentor role to Arthur in The Hollow Hills. When it comes to fairy or otherworldly mentors, however, Felicity Fortune in Elizabeth Ann Scarborough’s Godmother series is a quintessential example.
Another valid contender, imho, is the immortal, River, in Cate Tiernan’s Immortal Beloved, as is the witch, Maelga, in McKillip’s The Forgotten Beasts of Eld.
The Forgotten Beasts of Eld also gives readers a magical animal mentor in the character of the talking boar, Cyrin. In Tolkien’s The Hobbit, a thrush tells Bard where to aim his arrow so it will find the only weak spot on the armoured body of Smaug the Dragon.
Thornspell, which is a retelling of Sleeping Beauty from the perspective of the prince, has several mentor characters. The primary one is Balisan, the prince’s swordmaster and protector. Syrica, the fae who transformed the death spell into the hundred-years’ sleep, also plays a mentor’s part in the story, as does Auld Hazel, the witch of the wood, although to a lesser degree.




