Last year I had the very great privilege and pleasure to interview Kristin Cashore about her latest novel Bitterblue. This interview was also one of my “most-read” posts for 2012.

Recently, I was thrilled to receive a request from GaeaBooks in Taiwan to republish the interview, described as “insightful”, to support the release of Bitterblue into the Chinese market—and naturally I was very pleased to say “yes.”

I am also very appreciative that GaeaBooks have provided a copy of the translated interview—which appeared as part of their publication, Fever Times—to share with you on the blog today.

All fun stuff and I hope you enjoy, even if, like me, you can’t actually read Chinese. 😉 But Zuya at GaeaBooks very kindly identified the translated interview and my bio, and a friend has highlighted them for me accordingly—the interview is highlighted in the yellow and the bio in the pink.

To see the full—and beautifully presented!—Fever Times presentation, see the 4 images below or click on GaeaBooks’ Facebook page, here.

To read the interview again in English, please click on Kristin Cashore.

This is the book that everyone seems to be talking about right now and it’s on my TBR table: w00t!

Here’s what the backcover blurb says:

“It began for our narrator forty years ago when the family lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed. Dark creatures from beyond the world are on the loose, and it will take everything our narrator has just to stay alive: there is primal horror here, and menace unleashed – within his family and from the forces that have gathered to destroy it.

His only defense is three women, on a farm at the end of the lane. The youngest of them claims that her duckpond is an ocean. The oldest can remember the Big Bang.

THE OCEAN AT THE END OF THE LANE is a fable that reshapes modern fantasy: moving, terrifying and elegiac – as pure as a dream, as delicate as a butterfly’s wing, as dangerous as a knife in the dark…”

And here’s a few reviews from ‘out there’ [click on the name to read]:

New York Times

Wall Street Journal

Tor.com

“… He turned away, kicking through a deeper drift, and saw
that there was a girl standing beneath the bare crown of an
elder tree. A sparrow fluttered into the branches, followed
by another, and then a third, until there was a small flock of
them preening and fluttering their feathers above her head.
Her chemise and skirt, brown as the sparrows, blended with
the dreary colors in the garden”

~ from Thornspell, Knopf, 2008

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I have been posting  few poems on sparrows since I completed the ekphrastic poetry series because, as I said last week on Twitter, “I’m into sparrows right now.” Just to mix things up a bit for today, I thought I’d include an extract from Thornspell, which features—yes, you’ve guessed it—sparrows. 🙂

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To read the featured poem on the Tuesday Poem Hub and other great poems from fellow Tuesday poets from around the world, click here or on the Quill icon in the sidebar.

USA

UK/AUS/NZ

Reviews can be few and far between at the best of times, but even more so when the writer is out on the vasty deeps between books—so I’m very pleased to be able to refer you to a new review for The Gathering Of The Lost, The Wall of Night Book Two.

The review appeared on the Founding Fields site last week, with the review posted by “Shadowhawk”, who also reviewed The Heir Of Night last year.

Here’s his summary comment for The Gathering Of The Lost:

“A brilliant sequel to a brilliant debut, The Gathering of The Lost is even more entertaining and rewarding than its predecessor. It exceeded almost all my expectations.”

To read the detailed review in full and discover why The Gathering Of The Lost received 10 out of a possible 10 stars, please click on the full review below:

The Gathering of The Lost by Helen Lowe – Book Review [Shadowhawk]

“Man is not a rational animal, he is a rationalizing animal.”

~ Robert Heinlein, Assignment in Eternity (1953)

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There’s a lot in Heinlein I can take or leave, but this has always struck a chord.

As many—but perhaps not all—of you may know, I am a foodie as well as (per the ‘legend’ above!) a novelist, poet, interviewer and blogger. 😉

I also love SFF and an SF novel I very much enjoyed is Nicola Griffiths’ Ammonite–which you will also see listed on my recent post: Women Write Science Fiction: Yes, We Do!

So when I saw Nicola tweeting about almond croissants (a favourite!) and also chocolate, I had to advocate for this Pear, Chocolate & Almond Cake—and having first tantalized, promised to post it today. 😉

So without further ado, here it is:

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Pear, Chocolate & Almond  Cake

Ingredients:

5 eggs, separated
120 g castor sugar
120 g plain cooking chocolate, melted on a very low heat, then cooled slightly
1 large, firm pear, peeled & grated
120 g ground almonds
icing sugar for dusting

Method:

1. Preheat oven to 180 ^oC. Line & grease a 22 cm spring-form cake tin.
2. Beat the egg yolks & castor sugar together until light and fluffy.
3. Fold in the melted cooking chocolate, grated pear & ground almonds.
4. Beat the egg whites until stiff then fold into the egg and chocolate mixture.
5. Spoon the mixture into the prepared cake tin and bake for 25-45 minutes or until a skewer inserted into the cake comes out clean. (Note: it takes about 35-40 in my oven but can get oven variation on heat/time.)
6. Remove the cake from the tin and cool on a wire rack. (Note: I tend to remove from the spring-form tin oven but leave in greaseproof lining until cool.)
7. When ready, sift over icing sugar and serve with whipped cream. (Strawberries are also very nice with it.)

Serves: 10-12

And as Julia Childs would have said: Bon appetit.

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Also:

– it’s both gluten and dairy free

– both taste and texture are absolutely fabulous

– the recipe originated from New Zealand’s Cuisine magazine, but an edition so long ago that I have lost all other details!

Note: despite the photo, I don't usually ice this cake. (It's tricky!)

The Wall of Night Series map; design by Peter Fitzpatrick

The A Geography of Haarth series is traversing the full range of locales and places from The Wall of Night world of Haarth. This week we have our one and only—so far!—entry for “D.”

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Dunmuir Slough:  an extensive wetland area in the Emerian Hills

.

“The brown bull of Barrowdun driven off and harried to its death in Dunmuir slough,” Hirn said, his eyes fixed on the Castellan. “Hillholt’s swiftest horses found hamstrung and gutted by the Standing Stones, first having run mad with terror.”

~ from ©  The Gathering of the Lost: The Wall of Night Book Two; Chapter 17 — Oak and Hill

Battle of the Birds (Te Pakanga O Nga Manu), by Tauranga author, Lee Murray, won the Sir Julius Vogel Award for Best Youth Novel in 2012, so as you can tell this is a long overdue read—but a fun one.

Lee’s novel is Junior fiction, and I am enjoying its weaving together of traditional Maori folklore and New Zealand’s natural history, into an adventurous story involving three young protagonists, Annie, Moana, and Kahurangi. There is also a nice overlay into North Amercian folklore associated with the beginning of Annie’s adventure in Wisconsin.

This is a fun, adventurous story, with quirky illustrations that I feel will appeal to children in

Lee Murray with the Sir Julius Vogel Award

the 8-11 year old age range.  I also very much like the cover art by Vonnie Sterritt.

For more information about the book from Taramea Publishing, click on Battle Of The Birds.

Introduction:

Hello again, this is Rebecca Fisher, here as promised last week to bring you a series of posts focusing on the enjoyment, creativity and imaginative power of fantasy/sci-fi film and television. Up first is Avatar: The Last Airbender, one of my very favourite animated shows. Because it’s such a rich and multifaceted program this post will concentrate mainly on season one, and the best way to introduce you to it is to describe how I was introduced to it.

Avatar, Season One

I was babysitting three boys aged seven to eleven when an animated show I’d never seen before came on the TV. Suddenly they all sat up straight and began pointing at the screen, telling me that this was a show they would happily watch for hours and hours if given the chance, all said with that earnest seriousness that every seven-to-eleven year old has when discussing something they enjoy. Obviously, I watched the episode with them. After returning home later that day, I switched on my computer and immediately ordered the complete DVD box set.

Yeah, all on the basis of one episode. It’s really that good.

Where To Start

It’s hard to know where to start with Avatar: The Last Airbender. It’s packed so full of creativity and ingenuity in regards to story, character and world building that trying to describe it to another person usually just results in excited gibberish. So it’s just as well I have the advantage of writing everything down in an orderly manner. I think the strength of any successful fantasy drama lies in the aforementioned story, character and world building working together to create a well-rounded viewing experience, and Avatar provides these things in abundance.

World Building

Map of the Avatar world

This is the world where the story takes place, one divided into four distinct cultures: the Fire Nation, the Water Tribe, the Earth Kingdom and the Air Nomads. Unlike your usual medieval European-based fantasy world, this one is heavily influenced by Asian cultures, and the architecture, written language, philosophy, clothing, food, customs and physical appearance of the characters all have Eastern origins. That straight off indicates the unique nature of this series.

Even more original is the art of “bending”. Best described as a combination of martial arts and elemental magic, bending is the ability to manipulate air, water, earth or fire. Not everyone in the world has this innate gift, but those who possess it can use it for any number of things, from combat to household chores, hard labour to playing games. As the show goes on, it becomes apparent that this ability is linked to a person’s personality, community and spirituality, and that a person’s skill at bending can be improved with training. Also, it’s really cool to watch.

But that’s not all! Benders can only ever bend the element they are born to, leading to the terms earthbender, firebender and so on. But there is one individual who can master power over all four elements, and here’s where we get into the plot.

Premise:

The individual known as the Avatar is a soul reincarnated through thousands of years of history who can manipulate all four elements; who carries with him/her the wisdom of all his/her past lives; and who is charged with maintaining peace between the four nations. However, prior to the beginning of the show’s inception two drastic events occur. Hey, I’ll let the opening narration spell it out:

“Long ago, the four nations lived together in harmony. Then everything changed when the Fire Nation attacked. Only the Avatar, master of all four elements could stop them. But when the world needed him most – he vanished. A hundred years passed…”

From left: Appa, Sokka, Katara, Aang and Momo (the arrows make sense in context)

The person talking is Katara, a young Water Tribe girl (and waterbender) who is fishing in the icy regions of the South Pole when she, along with her brother Sokka, makes an extraordinary discovery: a young boy and his wind bison trapped in a huge block of ice. Having just re-read that sentence I realize how strange this whole thing sounds, but bear with me.

It doesn’t take a genius to figure out that the boy they’ve uncovered is the Avatar, and Katara in particular is excited about the fact that hope has returned to the world after so long. But Aang is reluctant about his role as Avatar: not only is he just twelve years old, but his responsibilities to the world are daunting. He needs to learn water, earth and firebending in order to supplement his airbending skills so that he can defeat the Fire Lord Ozai. In other words, a tween has to go up against a grown man in order to save the world. And what’s worse? That there’s a time limit to Aang’s training.

Though the story begins in winter, the approaching summer heralds the return of Sozin’s Comet, a source of power for the firebenders that will render them twice as strong once it reaches the planet’s orbit. Currently the Fire Nation is still invading various parts of the world, and now they’re on the hunt for the long-lost Avatar.

Oh, and did I mention that during Aang’s sojourn within the iceberg, all of his fellow Air Nomads were wiped out of existence?

As you can see from this synopsis, a huge amount of time and detail is poured into this series, though the first season is relatively straightforward.

Storyline: Season One:

Called Book 1: Water, Season One involves Aang’s journey from the South Pole to the North in search of a waterbending teacher, passing through the Earth Kingdom, a couple of the Air Nomad temples, and even a Fire Nation island on the way. On his trail is Prince Zuko, a banished prince from the Fire Nation who is allowed to return from exile only if he captures the Avatar.

Perhaps the show’s most complex character, Zuko could have very easily been a one-dimensional villain out to thwart our heroes, but is instead rendered a complicated young man with a high code of honour who is torn between his duty to his nation, his desire to return home, and his deep-seated awareness of right and wrong. With him is his uncle Iroh, an ex-general gone to seed (at least a little bit) who provides encouragement and levity to his nephew as they pursue Aang.

The Characters

As the episodes go on, we learn more about each character’s backstory (particularly how and why Zuko got that nasty burn on his face) and watch them grow and develop as each new experience shapes them. Along with Aang, Katara and Sokka we get to meet other neat characters, such as Suki, a girl who leads a team of female warriors, or Jet, a freedom fighter with a dark streak, or Bumi, an elderly king who goes about ruling his kingdom in a highly unorthodox way. Plenty of people, concepts and locations are introduced in the first book that are brought back or given greater significance in the next two seasons.

It all comes to an epic conclusion once the trio (with Zuko close behind) reach the North Pole and the beautiful Northern Water Tribe city. Here Katara struggles with a sexist waterbending master and Sokka falls for a beautiful princess, all of which is put aside when the Fire Nation fleet arrives. Hopelessly outnumbered, Aang makes a bid for reinforcements by travelling into the spirit world in order to seek guidance from a terrifying creature that dwells there…

Why You Should Watch “Avatar: The Last Airbender”

Seriously, it’s awesome. I could rave about it for pages yet, but I’ll finish up with three final reasons why you should check out this show:

1. It has a beginning, middle and end.

This isn’t a show that’s cut short at its peak, or one that carries on long past its use-by date. Instead it’s a complete story, which starts out strong in its first part, becomes richer and deeper in its second, and comes to a definitive conclusion in its third. Though there are a few filler episodes, almost every single chapter of this story adds to the richness of the world and lays the seeds for things that can be explored later. The character development is wonderful, whether it be Zuko conflicted by his past, Aang struggling to accept his future, Katara reconciling her motherly qualities with her lost childhood, or Sokka getting over his chauvinism and becoming a leader in his own right.

2. There’s plenty of diversity in regards to gender and race.

Because this story is set in a world based on Eastern influences and in an Asian setting, the characters themselves reflect this heritage. Katara and Sokka are Inuit, Aang is Tibetan, and Zuko is Chinese – or at least fantasy world equivalents. Furthermore, there are plenty of great female characters who can be anything from hardened warriors to delicate princesses, and each one shows strength and vulnerability and three-dimensionality in their own way – and there’s plenty more of them to come in Book Two!

3. Beautiful Animation.

At times the artwork for this show reaches movie-level quality. Everything is gorgeously rendered, from the design of the characters to the locations that they visit to the manipulation of the four elements that benders can achieve. Between the creativity of the writers and the animators, the world of Avatar: The Last Airbender sucks you in with its beauty and makes you enthusiastic about exploring this world along with the characters.

So despite how elaborate I’ve made this show sound, it’s amazingly cohesive and consistent, revealing just enough exposition at just the right times to get you hooked and hungry for more. The world of Avatar has its own culture, history and mythology, and part of the joy in watching is the excitement of discovery, whether it’s the people, the places or the backstories that emerge with each new episode.

Conclusion:

On a final note, the worst thing you could do for yourself is to assume that this is strictly a children’s cartoon. Even from the first few episodes it’s clear that this is a show that deals with hefty issues such as sacrifice, loss and the cost of war, and each character (even those who initially seem like comic relief) have emotional depth and complex backstories.

So, in conclusion – watch it.

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Next time: a look at a New Zealand made fantasy series that incorporates magic, time-travel and circus performers in the midst of a dystopian world: Maddigan’s Quest.

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Rebecca Fisher

About The Reviewer:

Rebecca Fisher is a graduate of the University of Canterbury with a Masters degree in English Literature, mainly, she claims, because she was able to get away with writing her thesis on C.S. Lewis and Philip Pullman. She is a reviewer for FantasyLiterature.com, a large website that specializes in fantasy and science-fiction novels, as well as posting reviews to Amazon.com and her own LiveJournal blog.

To read Rebecca’s detailed introduction of both herself and the series, click on Big Worlds On Small Screens.

The Death of Lesbia’s Sparrow

Mourn, O you Loves and Cupids
and such of you as love beauty:
my girl’s sparrow is dead,
sparrow, the girl’s delight,
whom she loved more than her eyes.
For he was sweet as honey, and knew her
as well as the girl her own mother,
he never moved from her lap,
but, hopping about here and there,
chirped to his mistress alone.
Now he goes down the shadowy road
from which they say no one returns.
Now let evil be yours, evil shadows of Orcus*,
that devour everything of beauty:
you’ve stolen lovely sparrow from me.
O evil deed! O poor little sparrow!
Now, by your efforts, my girl’s eyes
are swollen and red with weeping.

by Catullus, (ca. 84 – 54 BC)

*An alternate name for Pluto, Roman God of the Underworld, & also for the underworld itself.

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About The Poem:

I am currently doing a mini-series of poems on sparrows, which may morph to one on birds generally—I am not yet sure—and this poem by Catullus, the 3rd in the sequence of 116 remaining to us, is certainly one of the more famous. Enjoy!

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About The Poet:

Catullus was born in Verona, which was part of the Roman republic, and as a young man in Rome became a member of a circle of “new wave” poets. 116 of his poems survive and he is regarded as one of the great classical influences on western poetry, as well as being readily readable today.

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To read the featured poem on the Tuesday Poem Hub and other great poems from fellow Tuesday poets from around the world, click here or on the Quill icon in the sidebar.