
Lee Murray
On Saturday May 1, I posted the fifth in this year’s Magic Systems in Fantasy series on the Supernatural Underground (SU) — this month featuring fellow NZ author, Lee Murray, talking magic and the supernatural in her short fiction and Taine McKenna series.
Lee is a multi-award-winning author-editor (Sir Julius Vogel; Australian Shadows), and a five-time Bram Stoker Award®-nominee. A third generation Chinese New Zealander, her work includes military thrillers, the Taine McKenna Adventures, supernatural crime-noir series The Path of Ra (with Dan Rabarts), and debut collection Grotesque: Monster Stories. Lee will soon take up NZ’s Grimshaw Sargeson Fellowship for 2021, for her poetry collection Fox Spirit on a Distant Cloud.

Just to lure you in ( 😉 ), here’s a wee taste of what Lee has to say in the interview:
“What’s interesting about horror, unlike fantasy and certain other speculative subgenres, is that it doesn’t have to incorporate magical elements at all. Horror, by definition, describes work that instills feelings of fear, the intensity of which appears on a spectrum that extends from vague unease all the way to bone-rattling white-knuckle terror. But the elements that make up our horror stories, the things that contribute to those feelings of fear, can either be anchored in reality or imbued with supernatural elements according to the needs of the story and the preferences of the author. For me, magic and the supernatural are a natural way to approach horror, partly because in New Zealand myth and monsters hover just beyond us in the shadows…”

Of course there’s more, and it’s all fascinating reading — so please do rock on over to the SU and check it out:
Lee Murray In Conversation on “Fear Beyond Boundaries” & Magic & the Supernatural in Her Writing
Enjoy!


I believe this to be fact, if not necessarily universally acknowledged… When I read the quote for the first time I stood right up and cheered. 😀
As a reader and writer, I love the way the poems and books I heart always stay with me.
The leaves and the sea are doubtless reason enough for shouting those words into the wind, but given the grandeur and wildness of the unexpected squall, I did wonder if it might not be a moment for lines that appear later, in The Return of the King:
If you would like to reflect further on ANZAC Day itself, the following link to ANZAC reflections, including poetry, that I’ve posted in other years:



In my recent
The interview is wide-ranging, but the parts that really resonated for me were when Murakami spoke about the writing process. Here are a few examples:
And this:
Mine definitely work in their own mysterious ways, their wonders to perform. And are not infrequently shapeshifters to boot – just when you think you’ve got them tied down, there they go, shifting again: not unlike Menelaus and the Old Man of the Sea…

















